Tuesday, 30 April 2013

Suitcase to Briefcase. The final installation.

 Our final piece for Claudius involved a lot of letters of emotions and guilt. Through writing our letters there was a mixture of those two feelings as well as a few soliloquies from the play We felt that the letter represent the feelings and emotions of Claudius and that there should be masses of letters which were able to have been read by the viewing audience.

At first the letters were collected together and stuck onto a piece of paper. I personally felt that this was too contained and manageable and neat to show a guilty conscience and so we then wrote more letters and bulked the shape out, having scrunched up pieces of paper and lose letters. I felt that having them glued down just wasn't realistic enough for me and that with a bigger mass of letters and paper they should look like they have mounted over time and accumulated over time.


We struggled with the suitcase, we felt that it was too old and out of place in the office enviroment. We changed over to a brief case which went with the whole office feel and brought everything together.



By having letters in the case it brought the theme together across the table and down onto the floor.



Our projections worked well. We did have to re-film the movements, Laura's black trousers did not show up in the projection because we had first used a black screen and they were not visible. We then changed the colour of the trousers which enabled us to see the whole image.
We added a desk lamp to highlight the letters, we did this to show the guilt ridden and emotion filled letters, they were visible to the audience and able to be read.








The final finished installation looked like this... 
The purple lighting added to the feeling and made the scene look a little nauseous and like somewhere that is private. 
The miniature human projections in the jars worked well, we decided to the change the black paper to brown and found that this connected nicely to the letters and paper on the desk and floor. 

























Feedback: 

  • People enjoyed looking at the jars and the miniature image visible. 
  • They liked the idea of the letters and how they appeared and were displayed saying that it give a powerful visual impact.
  • The OCD of the desk and the contrast of the out of control letters was a clear visual message.
  • The audio, which we recorded, played in the room whilst it was silent, was quite strong and gave a big impact on the control and destruction.
  • The lighting was enough to highlight the piece but not deform or fade the projection.
  • Although we did not want the laptop in the installation we managed to make it so that the laptop and the projector integrated into the scene as office material and in use.
  • Hand written letters are effective and give it stronger feeling of guilt.
Things to improve on:
  • Some tutors felt that a performance piece would have improved the overall feel of the installation. (however as a group we thought that having a performance part in it, the attention of the audience would not be focused on the audio or the projection.) Although we had previously thought about the idea of our piece being a performance and didn't carry through with it, to have a better understanding of how it would work, we should have experimented by using other members of the class to get their opinion on the matter.
  • We could have made more of the OCD aspect of the piece by using a bigger desk to display the desk and its arrangement.
  • In hindsight we would have liked to have continued on our original idea which after many different directions we ended back at. This would have saved time, stress and confusion.
  • For the presentation of the groups installations pieces, our piece was place third in the running order. Unfortunately that meant that the two pieces before ours gave an expectation to our pieces which it just didn't need. In hindsight again it should have been first as to not lead the audience on to expect something similar to the two group before.
  • I personally would have liked to have more letters, on a large quantity and have them flowing out from beneath the desk, down the table, out from the briefcase and fill a large amount of room. To have such a quantity so that the audience have to walk through the piece, on the paper, kicking it as they walk through to get to the table and have a closer look at the main piece.

Technical Issues:
  • Blind spot - Laptop blocked a direct view of the piece. 
  • Spot light on desk did not make too much of a difference.
  • Laptop was in the way, we would have preferred that the Laptop had been hidden from view.

Saturday, 27 April 2013

Mark Leckey, The Universal Addressability of Dumb Things

The Nottingham Contemporary...

The Universal Addressability of Dumb Things

Today me and a flatmate went to the Nottingham Contemporary, safe to say, we defiantly had NO idea what was going to be there.

One we arrived we didn't quite understand what we were looking at. Which is when we noticed the name of the exhibition...

 
Mark Leckey, The Universal Addressability of Dumb Things, The Bluecoat, Liverpool 2013. Photo Jon Barraclough



 Although I didn't really relate to the exhibition i felt it was useful to develop my understanding of culture and whats around right now.

Friday, 26 April 2013

Claudius Speech.

Original Speech:

To be contracted in one brow of woe, yet so far hath discretion fought with nature that we with wisest sorrow think on him together with remembrance of ourselves. Therefore our sometimes sister, now our queen, th'imperial jointress to this warlike state, have we, as 'twere with a defeated joy, with an auspicious and dropping eye, with mirth in funeral and with dirge in marriage, in equal scale weighing delight and dole, taken to wife. Nor have we herein barred your better wisodms, which have freely gone with this affair along. For all, our thanks.


Modern Version of the Speech:

Through the memory of our dear brother, Hamlets death is still fresh and that it was proper for us to grieve for him in our hears, and our kingdom to be united in one sorrow. Yet discretion has fought with nature so much that we now think on him with more tempered sorrow, together with remembrance of ourselves, therefore,  our former sister-in-law, now our queen, the royal dowager of this warring country we have, as it were with an unhappy joy, with a hopeful and crying eye, with joy in mourning and with lament in marriage. In equal parts weighing delight and sorrow married. We have not disregarded your good advice, which has freely gone along with this affair. To all, our thanks.

Saturday, 20 April 2013

Projection day

Today we were introduced to a variety of methods of projection, some more interesting that others and some we already knew off.


Projection Mapping.
Is a projection technology used to turn objects, often irregularly shaped, into a display surface for video projection. These objects may be complex industrial landscape, such as buildings. By using specialized software, a two or three dimensional object is spatially mapped on the virtual program which mimics the real environment it is to be projected on. This way, the computer knows exactly where to project it information as it can bed ad highlight and shape or form.





Mini projector.
A mini projector can fit inside containers such as boxes and can been concealed, hidden from the public eye.
The only problem with a mini projector it that the image can't be modified much so the lighting around has to be quite dark to allow the image to been seen better.






Overhead Projector.
This image shows the use of an overhead projector and a screen. The chair on the screen is a miniature and molly was stood right next to the screen.
This is the most familiarly form of projection and the easiest in our minds. For our project, we are planning on using projection, we still are not sure about what type we should use.
If we were to use this form, we would choose to do it as a stop motion and create a narrative for Claudius.


Claudius and his Conscience...

Claudius and his Conscience ... Youtube video reference 



Thursday, 18 April 2013

After Talking to Sean...

After talking to Sean this morning we realised a few things...

  • Our idea of using crates to create a sort of empire behind the suitcase, we realised when trying to explain that, the original idea of crates didn't really have any connection to Claudius or what we were trying to say about him.
  • Perhaps instead of using crates ( which now thinking about them) we should use something that is a bit more important, special and something which connects to a position of power.
  • Our piece might be growing into a performance piece which I personally think could be very interesting to do. Using a contrast of live performance and projection to show a private and public face to represent the power and importance of King Claudius.
  • Maybe for the public face, use a mask. Perhaps a box of masks?
  • Perhaps look at micro expressions? (trans-media)

Claudius Haiku


Combining the short poems we each did about our work to create a Haiku for Claudius:



A hidden storm rumbles on crackling like
Fire, explosive and frantic, thundering noise echoes
Yet the surface is calm where search lights roam




Heartbeat echoing through the royal court
Flowers rooting with an unforgiving stench
Heartbreak fills the room with regretful sorrow, silence




Controlled confusions seeking its revenge
White noise rolling in the wind, smothered in secrets
The key is never far away. Hidden.