Tuesday 26 February 2013

Edges

Edges.
Kate Burnett.



 Edges - the line where seating ends and performance begins.



- Is an audience necessary?
- Relationship from audience to performer in a space?
- 'Clearing' - everything else clears to the side - for somebody to take procession of the space.
- Designated space - something that has a name - people thought about storytelling going on there.
- Found space - something that comes with its own history.

Designated space - might feel comfortable there
                                 - Nerve racking - not being there before.
                                    > Bad seats
                                    > Awkward
                                    > Not fitting in


Found space - Adventure about it
                                    > Rise taking - Night
                                    > Exciting - Day
                              - Might not be that good
                              - What type of people will be there?
                              

Participation - Panto - crossing the divide
                       - intellectual, emotional participation

Immersive Theatre - huge participation & relationship
                                 - space invaded! Your space, and the space you are in.

18th Century playhouse > Charles II
Elizabethan & Jacobean
^ insight people politically > huge gathering points

Spactical - 2012 London Olympics 
       - Attempt to tell you a story 

Street Performers - Little things in daily life
                                - Start to question what is really
                                - nobody wants you to be just an spectator. 

Q: How do people use the word 'theatrical'?

Mickel Freedmen (?) modern Art exhabition
                -Engaging with work

'Too Theatrical' - His criticism
Could mean - its too obvious
                      - Larger than life
                      - Its asking you to engage with it
                      - Its asking you to be involved
                      - Not real art - Art should just be there, that's it, no more involvement in needed.

Q: How much do you want the audience to feel comfortable?

Q: How much does the audience need to be involved/ viewed? 

Q: How to make the audience feel involved?

Q: How to make the audience feel like it's happening around them?



Look at...
-Robert Wilson
-John Cage


Tuesday 19 February 2013

Edges of Illusion

Edges of Illusion.
Kate Burnett


Edges of Illusion: An enquiry into the delineation and experience of scenographic experience.

Theory & Application: Art as a mode of organising an experience

Preparing the ground, the entry through the fault, 'the opening of the particular...'


Try to create that magical space where the performers perform and keep that edge for the audience.


Lighting is one of the main ways to get the egdes of the stage space but it's important on a thrust stage.
Not to blind the audience.
Light can create space within a space.
Edges can transform with space and lighting.

Make the lines of the edges to make the audience see the scope and believe it's there eg- rope as tents

Key Questions...
Q: Where are the audience?

Q: How do you go from one location to another?

Q: How do you physically follow Arthur's journey? (Saturday Night & Sunday Morning) 



Friday 1 February 2013

Stage Technologies

Trap doors - even in Athens' coliseum.

               - scissor lifts
               - are used to develop the stage
               - Trap doors were replaced
               - More weight - Scenery
               - more items can be moved

 However...
                  - Heavy
                  - Difficult to install The Swan Theatre is a great example of a theatre reacting to a change in technologies 



Hemp flying - Rope management
                   - Not many around
                   - Weight limitation
                   - Not modern Counterweight Power flying
                   - Run by motors
                   - Smoother
                   - Still a weight limitation
                   - Quicker
                   - Safer
                   - No human error
                   - Timing
                   - Health & Safety (Linked to no human error)

 Lighting in critical for your design It can influence the look and feel of the scene
                   - Model box - Sketches

 Pyrotechnics...

 Snow - 'Snow Business' - Made from plastic

 Rain/ water - Rice - small scene / behind the set - through windows Smoke & mirrors (Self Note) Victoria era is the best to look at for atmosphere)